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Awen - ObodIt’s official. I’m (re)starting the Bardic studies through OBOD.

The materials have been in my possession since 2009. I’ve had them stored on a number of different shelves, loaded onto a variety of audio devices (some of which are now outdated), and they’ve survived two local and one cross country move. In short, this “storehouse of wisdom” has been right beside me, untouched, for long enough. It’s time to do the work.

And I’m not going to be doing it alone. That’s perhaps the most exciting aspect of this new course of study. I’ve made a friend here in Portland, a person I met through OBOD’s private social network, and he and I are going to be synchronously working our way through the Bardic grade.

This is a big change for me. I’m used to my spiritual work being done in relative isolation, but I’m not sure that was ever the best approach for me. I’m a social person; an extrovert. While I value the work that can be done in solitude, and I believe wholeheartedly that one must engage deeply with that solitude in order to make the best of it (I wouldn’t have pushed so hard to create the Solitary Druid Fellowship if didn’t), I know now that I need to establish a meaningful social connection to support my spiritual work.

My friend and I will be relying quite extensively on a tool called Evernote to do this shared work. I don’t normally write about technology on Bishop in the Grove, but I thought it may be useful to those of you who are seeking to do collaborative work, either through OBOD, ADF, or some other Druidic study program, to learn about this service.

Here’s the skinny from Wikipedia:

Evernote is a suite of software and services designed for note-taking and archiving. A “note” can be a piece of formatted text, a full webpage or webpage excerpt, a photograph, a voice memo, or a handwritten “ink” note. Notes can also have file attachments. Notes can be sorted into folders, then tagged, annotated, edited, given comments, searched and exported as part of a notebook.

ft-evernote.jpg

Elephants remember everything.

I’ve been using Evernote for a little over a year. I write songs in it. I capture images of things I’ve scribbled down on scraps of paper. I draft blog posts and emails in it. I record audio notes in it. Evernote, more so than any other cloud-based service I’ve tried, has become a kind of “catch all” for the myriad of things I want to remember.

But Evernote goes beyond being a simple note-taking service, because Evernote allows for your notebooks to be shared with other Evernote users. My friend and I will be able to write about our reflections on the Gwers (Welsh for lessons), upload any artistic creations that have been inspired by our bardic study work, and create notes that serve to inspire and encourage one another along the journey. We’ll still be doing the work independently from one another, but Evernote will allow us to check in with each other’s work online. From time to time — maybe once a week when I’m in Portland — we’ll get together in person to touch base about our studies.

This is also a change for me. I’m quite used to fostering relationship around my spiritual work almost exclusively online, and I’m a bit out of practice at doing this in the on-ground world. After having spent so much of the past few years forging relationships and building structures online I think it’s time for me to invest myself in a Druidry that connects me to my community and to the place where I live.

Ironically, I’ll be using an internet-based tool to help me do that!

I’m a big Evernote fan. There are bunch of ways that this tool is useful. I’ve barely scratched the surface in this post. I’m sharing this information with you because I think that collaborative, organizational tools like this can really help people who have a lot of different projects to manage and who find it challenging to keep track of them all — especially when one of those projects is the work of their own spiritual development.

It’s been an amazing tool for me. Perhaps it could come in handy for you, too.

Give it a try. Let me know what you think.

aloha_75 - Walk with me

In yesterday’s post on The Wild Hunt I talked about Awen and about my creative process. It wasn’t standard fare for that site, and not the most widely read and shared post that I’ve written, but it was a very natural thing for me to write about.

A song is little more than a conversation between the songwriter and the listener. The more honest the songwriter can be about her truth, the more deeply the words will connect with the listener. A song can be a testimonial, a sermon, a proclamation, a confession, or a plea, but a song is never a monologue. There is always the listener, and though the listener may not be able to communicate directly with the songwriter she is processing what she hears; translating it, transmuting it, absorbing it, becoming it or rejecting it. As the songwriter has undergone a personal transformation in the process of writing the song, so, too, will the listener undergo a similar process when she hears the final work. The more raw the former, the more impactful the latter.

I write songs. It’s my gig. For about 1/3 of every month I’m in Los Angeles writing, doing work in the ever-evolving Music Industry, and I really enjoy it.

When I started this blog I was of the mindset that there needed to be a separate space for me to do my spiritual work. I couldn’t allow overlap with the promotional work I was doing around the release of my album. That could get messy. Too many people were invested in the success of the project for me to put that in jeopardy by being transparent, I though. But what I’m coming to discover is that there is really is no way to avoid overlap.

You don’t have your “spiritual life” in a vacuum. You are all of the things that you are, pretty much all the time.

At least, that’s my experience.

For me, my creative process opens up spiritual understanding. And many times my spiritual explorations lead to creative inspiration. It’s interesting to me that I was so desperate to compartmentalize my life when I started this blog considering that many of my songs are directly influenced by different periods of my religious life. You can’t extract my spirituality from my music. Just ain’t gunna happen.

So why keep the music apart from my spiritual work?

That’s a question I’m asking myself as I think about the future of Bishop in the Grove.

Over the past few months my life has been reshaped in very interesting ways. I’m no longer affiliated with any particular tradition, although I am opening myself up to the Bardic Grade studies of the Order of Bards, Ovates and Druids (OBOD). I’m living in a new city, meeting new people, and finding that just around every corner of this luscious, green place there is some perfectly ordinary, yet totally pagan joy to be experienced. I mean, there is street-side composting here! People know where their food comes from (see Portlandia episode 1 for proof). It’s almost as though this entire town is kind of pagan in practice, even if it isn’t Pagan in identity.

So there’s all of this newness in my life, which includes a newfound sense of presence in my creative work. When I go to LA to write I feel like I am doing exactly what I should be doing with my life. My writing feels certain. Solid. I feel in total alignment as a person when I’m in that creative space, and I won’t accept that that sense of alignment isn’t also connected to my Druidry.

It was the emphasis on creativity that first led me to OBOD. They start you on the Druid path by encouraging you to invest more in your creativity; to find the Awen and come to better know how it can move though your life; to help you become a bard.

And if there was anything I think I was made for, it’s that. I mean, I am already a bard, in a modern sense. This is what I do. This is what I have always done. I’m curious if there’s a way to re-contextualize the songwriting work as “bardic expression”; to sort of reverse-engineer my perspective about the spiritual nature of creativity.

I think this is a good way to move forward. I think this is the direction the Awen is moving, if you will. It moves toward greater integration. It moves toward a deepening of practice by way of investing in the practices that encourage feelings of love and wholeness.

This will be the direction I walk, friends. I hope you will walk with me.

Photo by Sam Howzit

Solitary Tree

I spent the morning catching up with an “online” friend, forging a new “on ground” relationship. The internet is amazing, really. To be able to initiate these kinds of relationship and build community having only the context of Facebook or an e-mail forum is phenomenal. I’m a transplant to this town, and yet there are people here who know me, and who are willing to show me such great hospitality.

My friend and I talked about ADF, about Druidry, and about our own personal, evolutionary spiritualities. I haven’t had many occasions to talk about my spiritual path post-ADF. My departure still feels pretty fresh. Part of what makes a former spiritual tradition feel like it’s former is having the opportunity to talk about it in past tense. There’s a great value in working through your thoughts with people who either understand directly what you’re going through, or who are simply willing to listen. I was grateful to have that opportunity today.

I heard myself speak of the things that frustrated me about ADF; things that I haven’t written about online. I’ve made a deliberate choice not to spend too much time writing publicly about what I see as problematic in the religion, its infrastructure or its practices. I have no intention of bad-mouthing ADF. I’m not that dude. I don’t think that would be productive or kind.

But bringing up my departure leads me to wonder how important belonging to a new group is at this point in my spiritual journey.

I’ve been going through a few of the OBOD gwers over the past few days and thinking about picking up my Bardic studies. There’s an OBOD seed group here in Portland, and although it isn’t incredibly active I find comfort in knowing there are a few Druid-leaning people in the area. This seed group is even leading the closing ritual at the upcoming Pagan Pride day event in Salem.

A part of me feels eager to develop some kind of religious community here in Portland, but then another part of me is hesitant. I don’t need a rebound relationship. I don’t want to find some new thing to dive into, to distract myself with, or to serve as a replacement for what ADF has been over the past few years.

I also don’t want to rush into taking on the mantle of a new tradition. This morning my friend told me that, from all outside appearances, I looked to be completely invested in ADF. And I think I was invested. Mostly. Almost completely. I think I was as invested as I could be while still holding a certain amount of space for my own doubts and uncertainties. I’m not sure I believe that any one tradition is 100% complete or correct, and because of this I always hold open just a little bit of space for the possibility that it won’t be the right thing for me.

Perhaps this works to my detriment. I don’t know.

But I think about going to PPD and introducing myself to the local OBODies, and I wonder if I can manage to do that without diving in head-first into a new group. I wonder if there’s a way for me to engage in fellowship without needing to fully become some new thing. It would be nice to place the focus on community building in a grass-roots way: slower, more deliberate, more patient.

This is a liminal space. I’m not really any one thing, and I’m in a position where I have to get to choose what I want to become. There’s something exciting about that, even if that excitement comes with a degree of uncertainty. I could become a full fledged OBOD member again, or I could look into AODA. I could hunt down something altogether different, or — perhaps the scariest choice of all — I could decide to navigate what it means to be Pagan without community. With as much work as I’ve done for solitaries, I’m not sure I know how to be a Pagan without belonging to a group, and I think it would be a mistake to rush through this process simply because the solitude feels uncomfortable.

Fast as a speeding oak always seemed like a terrible slogan. It used to bother me so much. It’s funny, though, because now it seems like sage advice for me. Perhaps the trees could have served as better teachers if I’d have let them.

I always thought that ADF moved too slowly, but I wonder how much of that was influenced by me moving too fast.

 

Photo by Jez Elliott

Photo and sketch by Mike Rohde (CC)Dear Portland,

I’m moving to you in August.

My husband and I are packing up all of our things, loading up our three dogs in the car, and driving for two days across Colorado, Wyoming, Utah, a bit of Idaho, and a good stretch of eastern Oregon to get to you.

Neither of us have lived in you before. Sean’s visited more than I have, but every time I’ve been I’ve really loved you.

Part of me thinks you’re kind of a pagan who doesn’t really identify as Pagan. You don’t like labels. But you compost, and your people seem more aware of their impact on the natural world. It’s not like you’re one big coven or something, but you do have a lot of trees. You’re kind of one gigantic grove.

That sounds lovely to me.

Moving to you during this time when I’m without a defined religious identity feels like it may be a portent of some new Way on the horizon. My husband reminds me, though, that this change I’m feeling is really about me, and what’s going on inside of me.

You’re just a coincidence.

But you seem like more than that sometimes. You seem like the promise of something better; the hope of a greener, more contemplative practice. You seem like fertile soil for the kind of religious life I feel drawn to.

I’m sorry if that’s putting a lot of pressure on you. It may be unfair of me. I don’t want to create unrealistic expectations of you. You’re a city, after all. You don’t really owe me anything, and nobody asked me to move to you. We’re moving, in part, because a number of changes are lining up to make this feel like the exact right moment to leave Colorado.

For one, our kid is starting college. He doesn’t really need us the way that he did before. We’ve been prepping him for a while about wanting to leave Colorado one day, and he’s even though about moving to Oregon after he has a few years of school under his belt. He’s still got his mom here, and we’ve promised to be back for some holidays and to fly him out for other ones. We think he’ll be ok without us.

We’ve also been offered a really terrific living situation once we arrive. Our friends are moving eastward, and they’re letting us rent their house. We won’t be paying any more to live there than we are to live here. All we’ve got to do is come up with the money for the moving expenses, and I think we can cover that.

More than anything, we just really want to be in Oregon. There’s been a pull toward that state for years, and neither of us has been able to understand why.

I guess I’m telling you all of this, Portland, because I’m trying to make sense of what this move means. I’m looking around at all of my things, all of them representing some period of my life — my Christianity, my Druidry, my time with ADF and the Fellowship — and I’m considering what it means to pack all of that up and move it to you. I don’t know which of these things are still important to me, or which I will have no use for once I’m there. I don’t know if I should get rid of everything and start from scratch, or if I should cherry-pick the things that seem worth taking.

[The fact that my stuff is such a concern to me is something worth noting, perhaps something worth it’s own post.]

I have 6 weeks to prepare myself to be in you and I don’t really know how to start.

So, I’ll begin with this letter. A one-way correspondence. You won’t read it — and that’s ok — but writing it helps me start to process through all of this.

Your future resident,

Teo

P.S. Did you know that John Michael Greer lives used to live only about 4 hours south of you? I love his beard. Maybe I’ll grow a beard like that once I arrive. Maybe I’ll start looking into AODA, too.

 

20130505-092328.jpgI went to church last night.

It was the first time I’d been to church since I left the Church.

Taking in an evening mass, done up to the 9’s with incense and vestments, was something I hadn’t planned to do while visiting Eugene, Oregon, nor was it an invitation I expected to receive from my friend, Jason Pitzl-Waters. His wife attends this congregation, and yesterday just happened to be the first time he was going to venture with her. He extended the welcome to me, and I gladly joined them both.

I’m not sure I was prepared for what I experienced.

Something pagan was present at this church service (other than the Druid in the back row). The priest spoke about the liturgical calendar, and how this Sunday — today — would be a day when the church recognized a pre-Christian, Roman agricultural holiday.

A pagan holiday.

How perfect, I thought.

(God… are you behind this?)

There was a god in that place last night. It wasn’t the only one – I think they’re wrong about that. But there was a god, nonetheless.

I stood and sat at the appropriate moments during the service, and I recognized in an intimate way the rhythm of the ritual. This was an Episcopal church, after all, and the Episcopal church was my home for so many years. I felt relevance, harmony, but a certain dissonance, too. It was neither all good nor all bad, and I’m not sure why I thought it would be either of those things. That was not the Church I knew. Being a Christian was always mixed and complicated.

I held back from full engagement with the liturgy, because full engagement felt disingenuous. I didn’t feel comfortable reciting the creed, nor did I say the Lord’s Prayer. I felt detached during the hymns, hype-aware that the messages were designed to tear down animism and build up hierarchical monotheism. The sermon was engaging and inspiring, but it was followed by kneeling and submitting to a dogma that I don’t believe in.

And yet, when I heard a small child sing along to one of the mantra-like songs after the Eucharist, I almost cried.

I was that child.

And what am I now?

That question lingered long after the service, and into this morning. I sit here in this little cafe, compelled to write again on the blog that I put on hiatus, because I was reminded last night that the inner world is complicated and worth unpacking. This blog is the venue in which I seek to answer that question again and again, and it’s time to return to that dialogue.

The short answer is this:

I am all of the things I have ever been. I continue to be them, in one way or another. Nothing is ever fully released from the heart. It’s all there, tattoo-like. Those old parts of you call out and say, We’re still here: your memories; your long, lost hopes; your visions of truth; your doubts — all of it. All here, still intact, inked into the inner flesh.

My Christianity gave me my first introduction to reverence, mystery, humility and community. It encouraged me to recognize that there was nothing in the world that was not touched by the divine. It inspired me to care deeper, to give generously, and to seek out new, creative ways to serve others.

I bring all of those attributes with me to my work with the Solitary Druid Fellowship. Were it not for the Church, and for those many people who were inspired by Jesus to serve others in love, I wouldn’t be writing liturgies for Pagans.

(Chew on that one for a minute.)

I walk the path of a modern Druid, but one whose ethics were first informed by bells-and-whistles Christianity. I can never not be this person.

And I’m ok with that.

I think I’m going to go back this morning, just to see if I might talk with the priest for a moment — one religious man to another. They’re going to have bagpipes today, and they plan to process around the church in a big circle (clockwise, no doubt), and bless the seeds and livestock.

It may just be the most pagan service I will ever attend.

Letters is a series on Bishop In The Grove that allows readers to initiate the dialogue. Submit your letter on the Letters page, and it may be chosen to be included in a future post. This first post in the series is centered around bringing Druidry and Druidism into balance.

Balance, by Kevin Makice (Flickr)

“You’ve talked before about wanting a balance between your revival Druidry and reform Druidism. Is this still something you’re trying to balance? How do you do it, practically – any examples?

– From someone trying to walk a similar path :)”

This question comes at an interesting time — both for me and for the community of bloggers I read. There’s a good bit of this v.s. that going on in conversations across the web, and I’m not quite sure how to make sense of it.

Just yesterday I witness an innocuous Facebook post unleash a somewhat heated debate about intellectual paganism v.s. non-intellectual paganism, an argument that seemed to suffer from a lack of agreement about terms and definitions. And there are blog post cropping up in every corner of the web about whether Paganism is reputable, or silly.

So when I read the question — how am I trying to balance these two streams of thought and tradition — I can’t help but notice how different that language sounds.

I’m an ADF Druid. I have been for a couple of years now. I’m also a member of OBOD, and (technically) a student in the Bardic grade. But I haven’t attended to my OBOD studies in a long time. The materials sit on my bookshelf, mostly untouched. So, mostly I’m ADF.

ADF Druidism is a religious path, and OBOD Druidry a philosophical one (to speak in very broad, general terms). In a way, I’ve been very much devoted to the development of a personal religion, one that is based in ADF principles. But then there are moments when I find myself asking, 

Yes, but what does it all of what I’m doing mean?

And in that moment, I feel that my Druidism has once again become Druidry.

To give you an example:

This morning I was at my home shrine, lighting a piece of charcoal. I lit the charcoal with a lighter that contains in it the flame of Kildare, passed on to me ceremonially during a CUUPS gathering. While the fire set the coal to sizzle, I spoke in my mind,

This is the flame of Kildare. May it burn brightly and may it…

I stopped myself.

I was going to say something invoking the Goddess, Brighid, but then I wondered if this particular style of invocation was something that the ancestors would have done. I literally stopped the movement of my own inspiration in order to evaluate if what I was doing was historically accurate in relationship to my hearth culture.

The intellectual, inquisitive, +1 for scholarship side of my Druidism got the best of me in that moment.

The next thing I thought was,

Who cares?! What am I doing right now, and what does it mean to me?

I find that Druidry, OBOD style, places a greater emphasis on personal experience and personal revelation than ADF does (broadly speaking). The “what does it mean to me” question is central to Druidry, but not so much to Druidism.

Druidism even has the term “unverified personal gnosis” to denote the things you “know” but that cannot be verified. The very idea that inner knowing needs to be “verified” smacks of intellectual elitism, even if the term is being used to keep people from making claims about their unbroken Druid lineage.

I’ve witnessed many conversations on the ADF lists where members display concern about whether they’re “getting it right,” and I worry sometimes that the standard we use to judge our work, the standard of scholarship and historical accuracy that ADF holds up so strongly, can lead us to overlook the simple, meaningful, unscholarly needs of the heart.

But with all of that said, I still am committed to the religious tradition. It’s a choice I’m making, and it serves me.

I balance my Druidism with my Druidry, first, by acknowledging that the two needn’t be mutually exclusive. Philosophy, after all, is an intellectual pursuit; one which can inform the way one engages in their religious practice.

So in your question — a very good question — I take note of the word “balance.”  It seems key here. I believe in bringing into balance the mind (critical thinking) with the heart (intuitive knowing); integrating and harmonizing the parts of ourself that seem to be discordant. The mind and the heart should be in dialogue, just as I think ADF Druidism should be in dialogue with OBOD Druidry.

Thank you for the letter, and for initiating this dialogue on Bishop In The Grove. 

Now I turn to you, my thoughtful readership.

If you are a Druid, one who has been exposed to ADF and OBOD, how do you bring them into balance? Or, do you?

If you aren’t a Druid but have had experience with holding the tension between multiple traditions, how does that approach affect your spiritual life?

Open yourself to the movement of creativity in your life, and there is no telling what will happen.

I have a tradition of rearranging plastic, magnetic letters on the back of my local coffee shop’s espresso machine to make ridiculous phrases. While waiting for my chai (much lower in caffeine than the triple espresso I used to drink), I make my silliness all over the silver, Italian shininess.

A few examples of my literary genius:

(Many will testify to the truth about Dave)

(This one inspired many a sour expression from behind the bar)

And, this heartfelt confession:

(MD, that is.)

This tradition bring me great happiness. I cannot tell you how giddy I become as shuffle through the available letters. My imagination goes wild. It’s childlike, and rather amusing to my friends at Kaladi Coffee.

Yesterday, in a particularly inspired moment, I assembled a rather large phrase. Rarely have I brought elements of Paganism or Druidry onto the magnetic board, but I was inspired to make an exception.

Where it all began.

I couldn’t stop giggling. I giggled all the way home, like a This Little Piggy. This one made me so happy.

Once home, I opened up my computer to discover that it had made a lot of other people happy, too. There was a tremendous response on Facebook to the phrase. In less than a few minutes, over 35 people had liked the picture, and a few had even shared it.

This may be something, I thought.

So, I thew it out there:

Again, the response was tremendous.

Yes, yes, yes, I heard. I would buy that. I love that. That’s awesome.

The giggling, it appears, was contagious.

I’m not sure what happened next. The subsequent four hours were a bit of a blur.

I know that Photoshop was involved, and a furious hunting through fonts. I pulled a public domain graphic of an acorn (appropriate for Druids), and arranged a few different designs of the phrase. I set up a Cafe Press store (which was much easier than I imagined), played with some HTML, registered a domain name (TheDruidsAreComing.com), and set up a Facebook page and Twitter account (because branding makes sense to me).

Seriously, I was a little manic.

Then, without giving it much more though, I let my new creation loose into the world.

THE DRUIDS ARE COMING!!

Yes. I went to town.

I share this story not simply to hawk my wares. I think the story illustrates an important lesson we often forget.

Magick exists, it is real, and it isn’t necessarily the bi-product of complicated ritual. It’s much more immediate than you might think. You can create change, even a small one, with the directed, focused use of your own will. You can do it with a humorous flavor (i.e. farting unicorns), or in ways that draw attention to important matters, like planting trees. But it’s right there at your fingertips, waiting for your giggle to unleash it.

This TDAC venture isn’t me trying to save the world. It’s just an example of how a person can bring something into being which was not there before, and how the process can be so much fun.

To do my part, though, I’m donating 10% of my humble TDAC profits to ADF and 10% PlantABillion.org. Seems like the right thing to do, considering that one grows Druids and the other grows trees. I might end up giving away more. This could end up leading to something much bigger. Who knows?

At the very least, I hope that my TDAC experiment will raise some awareness about Druids, about the need for more trees, and about the amazing, abundant, ever-present creativity that exists in each of us.

So tell me —

Have you ever had a burst of creativity that led to an unexpected project? Have you discovered ways to support your religious and spiritual communities that seemed to come out of thin air?

Share them!

Then, plant a tree.

In the morning, after (almost) sleeping through a night of 28 degree weather, I headed to the edge of the water to make my offerings. Pumpkin seeds were what I had to give, for they were what I had to eat. I proceeded through the same ritual I outlined in my post last week, only this time I did it while standing in the morning sun.

When I’m in the city, I sometimes lift my hands up toward the ceiling of my bedroom, my office, or whatever sacred space I’ve constructed, and imagine that I’m feeling the warmth of the sun. I also imagine that my feet become roots and extend deep into the earth, deep into the coolness of the underground waters. This practice is a part of the Two Powers meditation, a grounding and centering meditation used by ADF.

Standing beside the reservoir, I thought perhaps I should do the Two Powers meditation now. So I lifted my hands up to the sky, and when I felt the warmth of the sun — the actual warmth, and not the imagined warmth — I was taken aback.

I opened my eyes and I saw the water. The actual water.

The Two Powers meditation felt a little silly to do at that point, ’cause I was in the sun and I could almost feel the water on my skin. I didn’t need to imagine anything.

Instead, my mediation would be to open my eyes, open my heart, and feel with all of my being what was around me; to recognize that all of this was the Earth Mother.

This weekend in the mountains gave me some perspective on my religious practice.

Druidism will be a living religion so long as it continues to focus on the living earth. As bookish as we Druids may be, the soil is our truest scripture. The work we do at home, the practice we develop in solitude, should — perhaps even must — inform our experience of the living earth, not simply the metaphoric earth.

One can make the sun into a symbol, or the water into a symbol, or just about any tree, bird, and plant into a representation of some human experience, but concordances which seek to place all of nature within a human framework (this tree represents this emotion, or that god is good for this human activity) are little different than a Catholic concordance of saints. Plus, they can trick the city-dwelling Pagan into thinking that the natural world is only metaphor for the inner human world.

It’s more than that.

The tree doesn’t always need to represent something. It can simply be alive, and beautiful.

I came back to the city with a real desire to return to the mountains; to be outside. I spend a lot of time in my head each day, but not near enough time in the dirt.

I need to find a way to bring an awareness of the living earth into my daily life.

The question is, how? (My husband says, “Weeding, sweetie. There is weeding.”)

So, I turn to you, friends. You showed up in droves to share your intense nature experiences, and I’m going to ask that you join in the dialogue again.

How do you do it? How do you bring an awareness of the living earth into your daily life? Do you do it by getting out into your neighborhood? By gardening? Do you volunteer with the park service? What do you do?

Or, if you’ve found yourself in a state where you don’t do this, what could you imagine doing to bring this awareness into your life?

I fell into a frozen lake once.

It was winter, and we were on holiday from school. I was running ahead of my two cousins and my older brother, and I hit a thin patch. In no time, my tiny body was submerged.

The water was violently cold, and I was certain I was going to die.

I didn’t.

Photo by Roland zh, Wikimedia Commons

When I was about 10, I went to a summer camp for kids who like horses.

While riding one afternoon, a fellow camper got thrown from her horse. She was dragged for at least 100 yards. Her body looked like a rag doll flopping about, with one leg stuck in the stirrup, and her other leg and two free arms flailing uncontrollably.

Her head was one horse hoof away from being crushed to tiny, adolescent pieces, and I was certain she was going to die.

She didn’t die either.

Photo by Dan Shouse, on Flickr

A few years back, not long after joining ADF, I was on the road, sleeping in a no-name hotel, and I had a dream.

In that dream I heard a voice, one that was deeper and more expansive than any human voice I’d ever heard. The voice spoke in a language I couldn’t understand, and while it spoke I saw in the blackness of my imagination a white doorway, beside which were standing two white hounds. The voice was like an earthquake.

I jumped out of bed, body trembling, most certain that I was going to die.

That time, I think I might have died just a little.

Photo by Sean McGee Hicks, on Flickr

All things have their place, and there is certainly a place for the warm and fuzzy in Paganism. But I think it’s also necessary to remember that there are parts of nature, and aspects of the Kindred we worship, that can be violently cold, fiercely wild, and terribly awe inspiring.

I hear many people frame the human condition as being either a decision to live in Fear or to live in Love, capitals emphasizing the notion that these states of being are not simply human emotions, but rather that they are cosmic in some way. I like to think that things are more complicated and nuanced than that.

Even death, in its inevitability, is more complicated and nuanced than that.

I keep these things in mind today as I head up for a weekend camping trip in the National Forest. I won’t be riding horses, and the reservoir is far from frozen.

I will sleep, though…

…and dream.

Photo by Andrew.Beebe, on Flickr

While I’m away, I invite my diverse, thoughtful readership to sit for a moment and remember a time when you came into contact with an aspect of nature or your gods — either in a formal ritual setting or in an unexpected place — that was awe inspiring, or terrifying, or visceral.

When did it stop being an idea and start being something real?

I’ll return to the blog after the weekend, perhaps with stories of new adventures in the woods. When I do, I hope that the comment feed looks like a late-night round of campfire storytelling.

Organized sports never suited me. But wrestling with my faith? Someone should give out trophies. I would have a garage full.

When I left for the Eight Winds Festival, the first ADF gathering I’d ever attended, I was concerned that I may not be able to invest myself fully on account of a little religious indiscretion I had with the Cosmic Christ (if you didn’t hear about that, read this or this). I thought there was some need to resolve the conflict I experienced after reading Jesus Through Pagan Eyes in order to fully participate in the rituals, workshops and fire-side chats. To my delight, however, Jesus did not cockblock my weekend.

I spent four days firmly planted in polytheistic soil, surrounded by some of the brightest minds and the warmest hearts I’ve ever had the pleasure to meet. I talked about the gods, talked to the gods, made offerings to the gods, and did so without any hesitation or reservation. And, I found that discussing my history in Christianity was welcomed by my fellow ADF Druids, in so much as it could provide a context for my perspective about liturgy, ritual and church structure. One need not dismiss what came before in order to value what is happening now, I learned.

If you’ve been a long-time reader of this blog, you’ll know that from time to time I’ve been undecided about whether ADF or OBOD is best suited to my temperament. I’ve had many conversations online with others who go back and forth about which expression of modern Druidry is right for them. For some, this in-between spot suits them well, and I respect that. For me, though, after a weekend of Druidry, ADF style, I’ve realized that ADF provides the kind of religiosity that makes sense to me.

One festival attendee, Elizabeth, summed it up quite perfectly when she said,

“ADF intellectualizes spirituality, and spiritualizes the intellect.”

Spot on.

The intellect is a tool which can enrich so much of religious practice. You don’t have to suspend your critical thinking skills in order to engage with your religiosity as a mystic. There is a time and place for everything, and I appreciate how much ADF Druids value the mind.

I used to be concerned that ADF might lean too much toward scholarship, and by doing so make it difficult to originate anything new or spontaneous within the religious practice. I’m not a Reconstructionist at heart. But I now think that ADF’s approach to religion creates an amazing tension between the scholarly, and the intuitive, creative approaches to Pagan religious practice. As Ceisiwr Serith told me during his presentation on ritual theory,

“If you want to be a jazz musician, you better learn your scales.”

And that’s the whole point of ADF’s emphasis on the study of Proto-Indo-European cultures. It’s the reason that ADF suggests that Pagans look with a critical eye at any claim of “unbroken lineage.” Something does not have to be ancient to be relevant, but if you’re going to claim that it’s ancient, you better be able to cite some sources.

One’s own experience, their personal gnosis, should play a prominent role in their religious practice. Your intuition, your imagination — these things are valuable components of your growth as a mystic, a magician, or even simply as a Pagan. Ours is a tradition that allows each of us to be our own priest to the gods, whether that be expressed in private at our home shrine, or in public at open rituals.

ADF, I’ve come to believe, is a Neopagan Religion that is broad enough to include the mystic, the intellectual, the musician, the artist, and the priest. ADF provides a framework that can unite Pagans who feel drawn to many different ancient cultures, and it allows for enough autonomy for it not to feel like a dogmatic religion. ADF — if you can’t already tell by my gushing — is really floating my boat right now.

There is more to unpack, literally and metaphorically, but I’m not going to rush it. Many seeds were planted during the Eight Winds Festival, and they need their time to take root.

As Uncle Isaac used to say, “Fast as a speeding oak.”

There is an intrinsic connection between creativity and spirituality, I think. The impuse to create feels very much to me like the impulse to worship, to do ritual, or to pray.

Perhaps this is why my heart sang out so loundly when I first found the Order of Bards, Ovates, and Druids. OBOD asserts that the spirit of creativity and inspiration, the Awen, flows through me and through all things, and by learning to nurture my relationship to the Awen I can develop the foundation for a living, thriving, vibrant spiritual tradition.

I write a lot about religion here on Patheos (understandibly), and I think that in doing so I sometimes forget that it was creativity which first led me to Druidry. To be a Bard, I learned through OBOD, is to be connected to a great, cosmic, creative force, and to be expressive with one’s voice is to be in service to your tribe, your people, your planet. Cultivating creativity allows the Bard to become her own Creator, a maker of enchanting beauty, a living source of inspiration. While I’ve found that the religiosity of ADF Druidism speaks to me, and the voice of the Reconstructionist fascinates me, it continues to be this connection between creativity and spirit that nourishes me.

To sing is to expose the dark richness of the soil (the soul), to turn it over, and expose it to the light. Strip away all of the adorments of our spiritual traditions, remove any of our religious or cultural markers, and we are left with our breath, our song, our creative fire. Stand naked in the forest, breathe in the air of life which permeates this planet, and your voice can become something truly magical.

With that, I make an offering today — a sacrifice of praise and thanksgiving, and a testiment to the power and movement of the Awen — by lifting up my voice in the presence of the living earth, our Great Mother.

Peace be with you on this glorious day.

In modern times, a Bard is one who sees their creativity as an innate spiritual ability, and who chooses to nurture that ability partly or wholly with Druidism.

– From Druidy.org, OBOD

For well over a year my voice has been heard by my readership only as text. You’ve come to know me by reading me, by engaging in dialogue in the comments, by reaching out with encouragement, insight, and support. This has been an amazing journey for me, and I’m grateful to have shared it with you.

Today, I offer up another voice of mine; a voice used in ritual to invoke, to inspire, to conjure up emotion and passion.

This is the voice I used before I had language, or before I was fascinated by religion. This is the voice that preceded my Pagan identity (or any identity for that matter), and this is the voice which has come to inform so much of who I am. This is the voice of my soul, and I share it with you when the Moon is most full.

Here, friends, is the voice of me singing in the Sacred Electric Grove.

[youtube]http://www.youtube.com/watch?v=wMGw-Vyy9_8[/youtube]

The Sacred Electric Grove EP will be a collection of songs with themes that speak to contemporary Pagans, or to anyone who ponders the imminent presence of the Divine, who connects to the land for inspiration, or who simply loves to dance.

– from my Indiegogo Campaign Page

 

 

A lyric from my song, “Offering“:

[soundcloud url=”http://api.soundcloud.com/tracks/47325058″ iframe=”true” /]

 

 

 

There is a place that I go to dance.

Rough draft of EP cover

It is dark and there is no sound.

Nothing but the Moon shining in the sky

Giving life to the Spirits of the Land…

 

These are the days to find the light,

Kiss the sun, draw down the moon.

Hold your heart like an offering…

Hold your heart like an offering of love.

You’re heart is an offering

To the heavens above.

 

I ask for your support today, because I believe that there is a place in the world for this music. I believe, after lifting up my voice in ritual–both at Pantheacon and during a High Day celebration at my local grove–that there is a connection between the creative work I do on Bishop In The Grove and the creative work yet to be done through this music.

If I ever felt a calling, I feel it now.

This is not a time to throw our money away, clearly, but it can still be a time to invest in something that stirs our heart. If your heart has been moved by the words on this blog, or if you listen to these sounds and they stir something in you, please consider contributing to my Indiegogo Campaign.

There are incentives, which include:

  • The Music (download or hard-copy), available at every giving level over $10
  • Custom blended ritual oil
  • Custom blended incense, made under the guidance of Karen Harrison, Weiser Books author of the best-selling book, Herbal Alchemists Handbook.
  • Long distance tarot readings
  • Live performances —  online or in person

The goal is to raise this money in one moon cycle: the campaign runs from full moon, to full moon.

I’m feeling a bit like The Fool. I’m taking a leap into something new; something unknown. I’m bridging worlds in a way I never expected I would, and I’m sharing my voice — my truest voice — with the people who have supported the growth of my literary, contemplative voice. I’m baring more than I have before, and it feels like the only right thing to do.

So please give. Please share this post, the YouTube video, the Indiegogo Campaign page, the Soundcloud clip — ALL of it! Share them on Facebook, on Twitter, Google+, or any of your social sites.

And then, join me in the Sacred Electric Grove!



First image that came up when I googled, "Druid."

Ever since I took the name, Teo Bishop, and made it my own — both in a religious sense and through the proper legal channels — I’ve had cause to explain what it is that I do on this blog. My writing, as well as my deepening engagement with my own spiritual work, are both major influences on my decision to undergo this transition.

Identity is interesting, and something that often goes undiscussed. What we are, how we identify, is often more experienced than it is questioned. That is, this seems to be true for many people I know.

Then there are people like me, my queer compatriots, and my Pagan brethren who appear to always be in a rich, complicated, and often conflict-laden dialogue about what it means to be us; always debating which words are right to use, and which are out-of-bounds. In fact, it was my little inquiry into identity with publicly not-Pagan, totally world-adventurer, Drew Jacob, back in May of last year which led to his firestorm-post, Why I’m Not Pagan, and my followup piece, Pagan is the New Gay. The whole back-and-forth put my lil’Druid blog on the map.

When I started writing Bishop In The Grove, my intention was to have this blog be a place for me to document my studies through a training program offered through the American Druid fellowship, Ár nDraiocht Féin (ADF). This was going to be my Dedicant Journal, a series of writings that charted my progress on the Dedicant Path. But, it wasn’t long before my focus shifted, and questions of identity began to surface.

How was I to reconcile the Christianity of my youth with this burgeoning practice of polytheistic Druidry? What, exactly, did it mean to be a “Druid?” How could I avoid falling into the trap of allowing this new religious expression to become a kind of role-play? How was I to remain authentic, both to myself and to my community? (Dig through the Post Archive and you’ll find evidence of all of this….and more.)

The conclusion I’ve reached, which is still very much an idea to be examined, is that my spiritual and religious life is intended to be more of a dialogue than a single state of being. Any religious moniker I take, be it Christian (as it was for two decades), Druid, Neopagan, or Pagan, it is most important to me that this title is representative of an ecosystem of practice as well as serving as an introduction to a discussion on belief. The latter may not be paramount, but it is important to me. Practice also means more than how I approach my home shrine; it also extends to the way I navigate my internal world, the world of ideas and emotions, and which methods and approaches I use to engage with my thoughts and inquiries.

Druid, then, is not simply a title which connects me to ancient Celts, or to other Indo-European peoples; it is a word that is representative of a very modern, very immediate, and very personal religious expression which is influenced by a variety of modern, and possibly ancient religious technologies, some Irish, others American, and some completely unique to me; and at the same time, the word points to a practice of deliberate and persistent inquiry, introspection, and contemplation.

This resonates with me personally, and so this is how I intend to use the term.

But would you say that I have, what a friend recently called, “a Druid’s perspective?”

In an interfaith setting, where individuals are often called to speak as ambassadors for their religious or spiritual traditions, how does my definition hold up? Patheos is an interfaith blogging website, and my blog is the lone Druid’s Grove on their servers, but what I’m talking about is real, person-to-person, interfaith work.

How does the description I’ve offered of Druid resonate with you? Does it make sense? If you use the word to describe yourself, does it feel accurate to your experience? If you reject the word altogether, could you explain why?

Second, could you imagine a situation in which a modern Druid is acting as a representative for the wider community of Druids within an interfaith setting? How would you feel about there being an “Ambassador of Druidry” to other faith traditions?

I’m excited to announce that my interview on The Pagan Knitter Podcast is live!! I had such a wonderful time talking with Ursa about my experience of Druidry, my love of knitting, and my passion for writing and blogging.

You can listen to the podcast on the Pagan Knitter website, or download it directly through iTunes.

I hope you enjoy!

I find that the best way to get my house clean is to throw a party.

My desk may be covered with books and papers, my laundry bin filled, and my various interests — knitting and sewing being those that come with the most accessories — all sprawled out across the dining room table, but as soon as I decide to invite people over? POOF!! I’m a bearded Mary Poppins, snapping my fingers at the furniture. Before the song is over, my house looks marvelous.

All it took was a spoon full of sugar and an Evite.

This happens in extreme cases, too. When my husband and I sold our house last year and moved across town to a slightly smaller, more manageable rental, we scheduled a gathering with friends exactly one week after our move in date. It wasn’t a “help us unpack our boxes” party, or a “let’s hang art” soiree. Nnnnope. It was the end of October, and we threw a Halloween party. Boxes be damned!!

In seven days, we unpacked all of our bags, hung all of our art, filled every drawer and shelf, and made the crucial decisions about where to sit, where to eat, and where to place the plants so that they’d have the best chance of survival. It was a whirlwind of a week, but we got it done. And, were it not for us becoming impromptu party planners, the process may have dragged on for weeks — months, even.

I bring this up because The Spring Equinox (Alban Eilir/Eostre/Ostara) is exactly two weeks from today, and I have no idea what I’m going to do to celebrate. I’ll be away from home, cloistered in a hotel room in Los Angeles, far from my altar, my ritual garb, and the big, budding Maple Tree in my backyard. I imagined myself doing ritual under that tree once the snow melted, inviting a few friends to take part with me. But, that isn’t going to happen this month.

I could just prepare a personal ritual, making it a full-fledged, ADF style, bells and whistles affair, and perform it alone on the morning of the Equinox. There is an ADF grove in Southern California, Raven’s Cry Grove, and they celebrate (as many of our groups do) on the Saturday following the actual Equinox, but I’ll be traveling on that day as well.

See, part of my study requirement with ADF (Ár nDraíocht Féin) is to honor and celebrate each of the eight High Days throughout a single year, and to record my experiences. Ideally, I would celebrate the High Days with a group of ADF Druids, but this isn’t a strict requirement. Only four of the eight rituals need to be ADF style.

It’s just that I want to have an ADF ritual on the Equinox, and I want to share it with others. The quality of my religious experience changes greatly when I take part in ritual and fellowship with like-minded folk. I felt this most profoundly during PantheaCon when I was asked to participate in the ADF ritual alongside the Senior Clergy.

I wasn’t expecting to be involved in any way. It was a last-minute decision made by the clergy — literally, the night before the ritual. And, just like with our moving-in Halloween party, I made it work. I purchased a long, green robe in the PantheaCon vendor room, I processed into the room beside the priests like a pro, and when it was my time, I stepped into the center, lifted my voice, invoked the spirit of Inspiration, and felt a real sense of purpose and belonging.

For the rest of the ritual, I was fully present, fully engaged, and swept up in reverent worship.

And that’s the thing — I love being with people. It doesn’t matter if it’s a themed party or a sacred ritual, I love the energy of a group. When I clean house, I’m readying the space so that all those who enter will feel welcome, relaxed, and happy. My guests are my motivators, and my reward. But now, as I look toward the coming Equinox, I have no guests for which to prepare, or even a fixed space to make ready.

So, I’m reaching out to you, my friends and loyal readers. Maybe you could brainstorm with me.

If you’ve been a solitary — either by choice or by circumstance — how did you celebrate the High Days? If you have experience at leading groups, what do you do to prepare for your gatherings? If you have insights into how I might approach my situation, I would love hear them! Please post them in the comments.

I’m not sure why I’m a Pagan. I type those words, and I know I’m taking a risk by making this admission, but it’s what’s going through my head.

My Paganism, as well as my Druidry, is feeling more like subject matter for this blog rather than a way of living my life. Being Pagan doesn’t feel very immediate to me. It feels like a construct. It’s a bit like drag; like something I’m putting on, or that I’m trying to assume. I wrote about being a convert. Perhaps this feeling is an extension of that process of conversion. But I’m still not clear on what I’m converting to.

The Pagan Community feels more like an idea to me than anything else. There are Pagan gatherings which I attend from time to time, and groups to which I’ve paid membership dues. But for the most part, the Community lives in the ether, and I’m not exactly certain that I fit into it, or what exactly I should call myself. The labels come with baggage.

I never felt comfortable calling myself a Christian, either. I always told people that I was an Episcopalian. Somehow, identifying with my denomination was easier for me to explain. For me, being a Christian wasn’t as much about what I believed; it was about what I did. I think my Christianity was very Pagan in that way.

By being an Episcopalian, I was liturgical, rational — as much as any “person of faith” can be — and unwilling to accept fundamentalism. I sought out a balance of intellect and emotion, listened for the subtle, soft voice of the Spirit, and opened my awareness to the unexpected ways in which God might be present in the world. That’s what being an Episcopalian was for me, and so, by extension, that’s how I was a Christian.

But there were squabbles within the Christian community about which denomination was getting it right. Christians are constantly arguing amongst themselves about what is the best or most correct way to be a Christian (similar to the arguments between Revivalist and Reconstuctionist Druids on who is actually a Druid, or the talk about which Witch among us is a genuine Witch). Episcopalians were often viewed as too liberal, or sometimes too formal. Some Christians viewed them as too affluent, and too white. Gays had a home in the pews and behind the altar, and for many Christians that was a sure sign that Episcopalians weren’t actually Christian.

It was a hot mess.

My present conundrum is partly rooted in questions of identity, but also in experience. Christmas left me feeling confused. I opened myself up to certain aspects of it, and now I’m wondering what it was that inspired me to leave.

Do I think Christianity has it all right? No. Is God a man? No. But neither is God a woman. God is a metaphor. I’m not sure my Christian or Pagan brothers and sisters think of it that way. I reject the doctrine of original sin (as did many of the Christians I knew back in the day), and I understand how the religion has historically been a breeding ground for greed, power mongering and institutional corruption. But even still, there are discussions happening among more progressive, less institutional, “Emergent” factions of the Christian community — discussions about greed, power mongering and institutional corruption — that have an immediacy and potency that I’m not hearing in other places.

I guess what I’m wonder is — What does being a Pagan get you. Personal freedom? The ability to put together your own tradition? Or, perhaps the chance to structure your life around an ancient tradition? In a way, Christianity offered that to me, too. So how is Paganism different?

I feel hesitant to post about this because I’m concerned with what kind of response I’ll get. I feel like Pagans want to read about proud Pagans, or Pagans who are firm in their identity, and that those of us who are engaged in a discernment process should just get with the program already. There is a streak of militant activism among some of the Pagans I’ve read online, and I’ve been reticent to subject myself to their criticisms.

But, this is where I am. I’m not sure that the direction of this blog can be anything but an honest exploration and examination of my perspective. I’m not an ideologue. I’m not here to push a Pagan agenda. I’m here to unpack my perspective. I’m here to engage in respectful dialogue.

The truth is, being alive right now — being a modern, Western, American human being — is very confusing. It would be simple to say that all one needs to do is firm up their religious identity — be a better Pagan, Witch, Druid, Asatru, or Christian — and then everything would be easier. But I don’t think it works that way. Identity and religious expression are much more complicated than a single word would imply.

Am I alone in this experience?

I started out this December with a nose dive into Christmas cheer. Then, I spent some time exploring what parts of the Christian holiday were still resonant with me, and what I’d happily left behind. Now, the introspection of the Dark Days has set in.

It hit me unexpectedly. One moment I was working my craft, focussing on the task at hand, and the next I was on the verge of tears. Something someone said or some passing action spurred a memory of a younger me, and in that moment I was given insight into just how much time has passed. I didn’t feel old, but I was aware that I was no longer young in the same way that I used to be.

And this didn’t just happen once. It’s as though the entire climate and ecosystem of my personal and professional life has been infused with greater meaning, deeper symbolism, and a heavier tone. There’s been no escaping it. Nothing stills my mind but the repetitious act of knitting, and even in that there are moments where great pause and reflection interrupt the rhythm of the stitches.

What I’m feeling has nothing to with Jesus being or not being the “Reason for the Season” — all of that talk seems like trivial bickering right now. Nor does this state seem to stem from anything related to a recently assumed Pagan tradition that I’ve picked up over the past few years. This feeling doesn’t seem to originate from within me at all. It’s like the entire world is working a stillness into me, and I have little control in the matter.

Perhaps the reason that some of us bicker with each other around this time of year, be that over family dramas or to debate the legitimacy or illegitimacy of one another’s traditions, is that in doing so we experience a kind of spark; an artificial fire that allows us to deny the darkness that is actually setting in all around us, and inside of us. We remain in our heads, formulated better arguments, forging more effective defenses, and all the while the darkness grows deeper. The darkness grows in spite of our best efforts to hold on to the light.

We don’t need to pay attention in order for winter to happen. We don’t create the darkness. The darkness of winter simply arrives, and it transforms us, and we are left to decide whether we will surrender to it, or resist. In the darkness of winter, we are given the opportunity to see our lives from a still position, reflecting on who we’ve become and from where we’ve traveled. We can take that opportunity, or we can argue with one another. To choose the latter is to miss what the Holy Cycle of the World is offering to us.

It may seem that I have no choice in the matter; my emotions are a full cup, with the water just about to crest. But there must be some choice to be made, and I think I made it long ago when I committed myself to a deeper level of engagement with my life, with my beliefs and with the world around me. That’s what Druidry is for me; that is my Paganism. This commitment to my life has led me to — among other things — to a more acute sensitivity to the changes of the earth.

With just a few days left before Yule, before the calling back of the light, I experience a still darkness inside my soul, and through this darkness passes the images of a younger me, a me who was filled with many hopes and aspirations, naive to the challenges I would inevitably face, and unaware of little else besides my own desires and dreams. The darkness shows me who I was, and then without judgement, shows me who I am now.

So I’m talking with one my best girlfriends this morning, pacing around her kitchen as she cooks up some kale, and I’m telling her the story of me being told by a women that,

“Women, by nature, understand the Goddess better than men,”

or that,

There’s just something about women that makes it easier for us to understand human emotions,”

or some other such gender-stereotypical malarky.

I told her how there was going to be this paradigm shift from God-centered spirituality to Goddess-centered spirituality, and that I didn’t know what that meant for men (who, in this new paradigm stood the chance of becoming othered from the Goddess, just as for centuries woman have been othered by a “male” God).

Then, my friend, in true lioness form, puts the spatula down and says,

You need both. You need the Goddess and the God. You need the balance. You can’t just have one, or say that we’re moving from one to the other.

You. need. both.

Picture it: clouds part in the kitchen, the eggs sizzling in the background, and Clarity in the form of my friend arrives with the Goddess on one arm and the God on the other. Together they surround the fiercest woman I know and say to me — “See… we’re both here.”

Holy crap… I think I may be a Wiccan, I thought to myself.

Gender’s big on my brain at the moment. The Goddess, or the Divine Feminine (not sure if the capitalization is necessary), made her way through my last blog post, and she isn’t going anywhere soon, it seems.

A common theme in the responses, which at this point number well over 50, is that the idea of the Goddess taking center stage and replacing the God is false. Or, rather, it’s incomplete because it’s imbalanced. The problem in the logic, in this attempt to conceive of or work within some Goddess-exclusive paradigm, is in thinking that either God or Goddess should – or could – take the place of the other.

Standing in the kitchen, this God/Goddess balance finally made sense to me. It seemed correct, logical. It may still be lacking (isn’t everything lacking just a little bit?), but it felt right.

But What Will The Druids Say?

I’m an ADF Druid for a little over a year now, and there’s much about the group’s theology that I’m still wrestling with. They are not Wiccan, they’ll have you know. Nowhere close. They edge nearer to Reconstructionism, the practice of approximating and seeking to recreate the religious and cultural practices of an ancient culture within a modern context, than does the other group to which I belong – OBOD.

The OBOD model has a great deal of flexibility built within it, as it isn’t really a religious system as much as it a philosophical one. There are OBOD members for whom the idea of God and Goddess working together makes perfect sense, and they hold that theological tenant while still perceiving their path to be druidic, in nature. Some OBOD’ers even practice what is called, DruidCraft, a blending of Revivalist Druidry and Wicca.

Maybe that’s where I’m headed?

Personally, I think that we live in a world of many Gods (intentionally capitalized, because I think they’re distinct, divine beings), and I also think that this idea of God and Goddess may speak to something very true.

What I’m not sure of is how to reconcile those differing theological viewpoints.

Forgive me for my machinations, but I feel this need to find and develop a firm religious identity; one that is exactly what it is, and that functions in a clear, delineated way. I want something that simply is one thing.

But then, I’m standing in the kitchen with my friend, who’s not a Wiccan, thinking that Wiccan theology makes a lot of sense, just as parts of ADF Druidism make a lot of sense, and OBOD philosophy makes a lot of sense, and I come face to face with the awareness that it all makes sense, a little.

My need for something firm and fixed is countered by an awareness that Divine Reality, if there is such a thing, is actually formless and fluid.

Despite my best efforts, I end up walking between these conflicting ideas, trying to hold the tension between the two. This seems like my spiritual and religious path, to be honest: some sort of Sacred In Between-ness.

Ok, Bishop In The Grove readers — here’s where you come in. Let’s keep the conversation going.

How do these insights resonate with you? Have you had a similar experience of being in between traditions, and if so, does that feel comfortable to you? How have you been able to reconcile conflicting ideas about the God, the Goddess, or The Gods?

Post your thoughts, musings or questions in the comment section, and then click “Share” to post to Facebook, Tweet it, or pass it along to a friend who you think might have something interesting to contribute.

Earlier this week the air took a turn toward December, becoming wet and visible, and the moisture that fell in cold, slow-motion stuck quickly to the cars, the streets, and the sidewalks. On the morning after the storm a massacre of tree branches covered the earth around my house, proving both the strength of water and the fragility of wood.

What I like about the snow, and the timing of this particular storm being so close to Samhain, is the way in which it provides tactile evidence that the season is changing, that the Hallows are near. The shift toward winter is not simply an interesting idea; it is something to touch, to feel.

The dead leave little evidence of their continued living, so we are forced to find them at the intersection of interesting ideas and tactile experiences; we search for them in snow drifts, between the breaths of our chanting, and in the smoke rising from our censors. We listen for them in the floorboards of houses, too.

Do The Dead Dance?

In our new house of less than a week, my psychic husband and I have encountered some strange phenomena. The doorbell rings unexpectedly, and several other electrical devices make noise for no clear reason. There are creaks and bumps in empty spaces, and our kid gets creeped out whenever she walks past the staircase. She’s a certified Medium, by the way.

If these strange occurrences are more than faulty wiring, as everyone seems to think, then the dead may indeed be wresting with the same existential questions as are the living. Is a ghost fiddling with switches in an attempt to get our attention all that different from a group of Druids or Wiccans lighting our incense, ringing our bells or projecting our invisible parts into other realms in search of the Ancestors? Perhaps we’re all trying to do the same thing, just from opposite sides of an increasingly thinning veil.

I like the idea of the Dead doing ritual to make contact with the living. I’m not sure that’s how it works, but there’s comfort in thinking that certain aspects of this life are mirrored in the next. Or, rather, that aspects of the Other Side are mirrored over here.

As Samhain approaches, and people juggle their Halloween parties with their group gatherings and rituals, and Pagans across the land set aside some private time of reflection on the changing of the season, I wonder what the dead are doing. Do they gather in preparation for the coming days, sensing that the air has changed? Can they feel the transition? Is it snowing over there, too?

Do the dead dance naked around the fire…

…like some of us do?

What To Do When The Dead Come Knocking

We spend most of the year focussed on the human experience of living. We honor the Earth and celebrate points along an agricultural calendar because we eat food in order to be alive, and we see value in honoring the land from which that food came. We see new life born around us in the spring and summer, born of flesh and soil, and we celebrate the life that we create. Life, for the most part, is all about the living.

But Samhain is different. This High Day is about the intersection of the lives of the living with the lives of the dead. This holiday is about remembering that there is more to reality than our living experience of this world. There is more than what we grow, what we build, what we see blossoming all around us. There is a quality to death of which we can hardly conceive, and rather than push it away out of ignorance we embrace it in reverence. We celebrate the mystery, and we delight in the sacred unknowing.

So, on this coming High Day, the day that little Witches dream about during the sweltering heat of summer, the day that Puritans of old (and new) dread with every inch of their starched, Sunday suits, the day that warrants sweet candy, sultry stockings and a healthy pinch of spookiness, I think I shall listen for the call of the dead, for the rising chant of some ghostly group who, themselves, reach back with ethereal hands into this Earthly realm in search of some familiar feeling. I will open every ear I’ve got — on my head, in my hands, at the bottom of my feet — and I will listen for the call of those who’ve left this place to travel on to a land that even myth can barely approach. I will watch for their postcard, wait for their telegram, look for their fleeting face in the shimmering snow.

Perhaps they will arrive at my door in costume. Or, perhaps they’re already inside. Either way, they are welcome to cup of spiced cider on this blessed Samhain night!

 

If these words stirred something in you, or if you’d like to share your thoughts on Samhain, please do so in the comments. I always love to hear from you. And, I’d be grateful if you’d help broaden the conversation by sharing this post on Facebook or Twitter.

The weather in this town is a betrayal of my religious sensibilities. It’s all bright and warm and sunny without ceasing.

This is the Land of Perpetual Summer.

This town resists death at all costs; be that the death of youth, the death of popularity, the death of green. Death is frowned upon in Los Angeles.

This town is in denial of Autumn.

Autumn is my favorite season. It’s just cold enough for two shirts, but not so cold that you can’t enjoy an evening walk through the neighborhood, through the urban grove, sharing in the soft, gold-filtered light.

I find comfort in the dying. It relieves the pressure to be beautiful, to be productive. I need not grow these leaves anymore, says the tree. I can rest. I can go out in a blaze of red-purple-yellow glory, and then be still for a time.

There are orange and amber leaf decals on the windows of the local Starbucks on Santa Monica Boulevard. They approximate Autumn. They are the simulacrum of a season, but they come nowhere close to touching on it’s meaning, or its majesty.

Autumn colors on city buildings.

I’m in a town that does not rest. It persists with a fierceness that runs contrary to the sentiments of Autumn. Fall is a time to make tea or soup, and to remember the comforts of flannel and fire. At least, that’s what the season is in my imagination. It is a time where the world, herself, slows down the pace of our movement, and we are given more time to be in the dark, to be in meditation, in contemplation, in prayer as we understand prayer.

Autumn is misunderstood, as is the darkness. It is a gift to be given reason to stop moving in a frantic world. Autumn provides us with that gift.

Los Angeles is always at work, always in preparation for the next season of television shows, of fashion lines, of press releases and album releases. The sense of season is so different here; so fixed in movement and the creation of things, and consumerism. Everyone’s always jumping ahead, planning for two seasons forward, getting a good start on next year’s holidays, on a new collection of Spring beachwear, on anything but what is happening right now — stillness, release, beautiful dying.

It’s curious to be a wandering Druid in this concrete city, trying to keep mind of what is natural in the midst of what is not. One has to start accepting nature as omni-present; available and existing in even the starkest, most man-made environments. There is no part of the Earth that is not a part of the Earth, after all.

Even here, in Los Angeles.

These tress will grow. These buildings will not.

The equinox provides us an opportunity to re-examine ourselves and take a closer look at our place in the world. I had cause to ask myself recently, “What is it to be a Druid, anyway? What is it to feel aligned with aspects of a distant culture and yet be completely rooted in modernity (or post, or ex-post-modernity)? When I walk through the city in my wingtip shoes and black bluejeans, how am I like the Druids dancing at the foot of The Long Man of Wilmington? How are we the same? How are we different?”

My mind drifts to the British Isles on the Equinox.

Alban Elfed, a phrase loosely translated to mean, “The Light Of Water,” is used in many Druid traditions to name the celebration of the Autumn Equinox. Druid teachings and titles can be cryptic poetry, for sure. It is a mystery tradition, after all. But today, in this foreign place, where the flowers continue to bloom and the mountain side shows no sign of letting go of the light, I read something different into the Welsh words.

I read “Light of Water,” and I look outside at the swimming pool, quintessentially Los Angeles, drenched in morning sun and shimmering beneath a thin steam, and I see in that interaction of heat and cold, of pale yellow light and deep blue darkness, a message that Autumn is here, regardless of what Los Angeles thinks. The shift of the world happens even when we pay it no mind; a power so great as to lead one to reverent worship.

Harvest Home, Indeed.

I board a plane today and return home, and this seems perfectly timed to occur on the Autumn Equinox. The sense of returning back to our dens, to our hearth, is symbolic of the season. Autumn is a time to savor the dying sun, to relish the mid-day warmth, to walk through the world in layers, and then to return home and prepare.

The season of deep reflection is upon us. Take a moment to think about the meaning of Autumn. If the colors are already changing around you, gaze at them. If you’re in a place where there is little outward change, imagine what subtle signs you can sense in the atmosphere, in your body, that point to the shift.

Take these thoughts and emotions and, if you are willing, put them together as a poem or short verse and post them in the Bishop In The Grove comment section. If you have your own blog, post them there, and then share a link with us here. The words need not rhyme, and you don’t have to explain why they are relevant to you, unless you feel moved to do so.

It would be an honor to share in your experience of the Autumn Equinox.

May the Awen flow through you on this blessed day.

 

Our realtors walked through our bedroom and pointed out that my jewelry (a.k.a. Pagan Bling) would need to go, as would our book shelf of Buffy DVD’s and the half-dozen, brown, wooden elephant figurines left over from our big, gay wedding. They were pleased with the size of the closet, though, if not a little concerned with the clutter.

People like to see space, they told us.

How metaphysical, I thought.

They surveyed our kitchen next, which is lined with glass-doored cabinets, and they said that we’d need to do something will all that food.

Keep only the food you’ll need to eat for a couple weeks at a time.

How survivalist, and barren.

They looked at the wooden counters tops, which were once doors in a previous incarnation, and they mused that wood would probably be ok; the counters didn’t have to be granite. Our appliances, on the other hand, they would never pass. Stainless steel, it seems, is a crucial element in the sale of houses these days. This cold, hard metal can make or break a deal, our realtors assured us.

It really makes a kitchen “pop”!

Popcorn makes a kitchen pop. I love popcorn. I make it often, and I eat it in bed out of an oversized bowl that my mom gave to me. But my air-popper would have to go, and so would the bowl, and so would my grandma’s “See/Hear/Speak No Evil” antique monkey mugs.

They moved on to my office, home to my altar, my books on Druidry and Paganism, and all of my magickal supplies. This room would need a complete overhaul, clearly. The tapestries would come down off the walls, and the candles, statuaries and divinatory tools would be put into piles, first, and then boxes.

This room would make a good office. Leave the desk, and maybe a lamp. Again – space is a good thing.

I couldn’t breath.

Checklists and Upgrades

After their inventory of our possessions was complete, they gave us a schedule, a list of names and numbers of general contractors, and then departed with a forced cheeriness that could not have been more disconnected from the achy feelings in my belly. This wasn’t a home-invasion, exactly, but I still felt a little violated.

There was little time for the trauma, though. We had our task: pack up the outward representations of our personalities, and do it quickly. Like, two weeks quick. The air would turn cold soon, and we didn’t want to miss the Fall market.

Since that initial visit, we’ve erased much of what was unique inside our house. We’ve created a spacious (empty) and simple (bland) environment to put on display for as many strangers as possible.

(I have some parenthetical resentment, I won’t lie.)

Making space for strangers is weird. It almost feels like hospitality, but not quite. Never before have I sought people’s approval in such a outward, physical way. My treasure troves of trinkets and journals, aura photos and drams of oil, each picked out for its beauty, its function, or the tingle it gave me when I first picked it up, began to appear different when I stared looking at them through the eyes of a potential buyer. Liabilities? Maybe. These things that are connected to my spiritual practice were transformed, passively, into potential barriers between us and our financial freedom.

They needed to be boxed. My hearth must be dismantled for the change I seek to occur.

A Change Of Seasons

There are still two weeks left before Mabon, but I’m feeling the transition to Fall begin within the walls of my home.

Autumn is the season where we are all forced to accept that the year’s growth is coming to an end. The green of the leaves, the fruit from the vine, all that we’ve planted and made from dirt and sweat and water, it all begins to cease; to draw back. It is not dead yet, and it is still plenty beautiful, but the beauty is different now. The color is harder to hold, for you know that in time reds will become browns, and browns will take over the sidewalks and become crunchy and brittle, and everything that is now will soon not be. There is a melancholy beauty to the whole process.

Autumn is a season where we all consider the coming cold, and we wonder how we will survive it. The season has turned metaphoric for me in a profound way, for I stand now with uncertainty about who will take ownership of this space, and where we will land once it’s all over and done with.

How will our plants fair the move? How will we manage the dogs in the midst of house showings? What sorts of sacrifices will be made, unplanned and sudden, and how will we fare them? As I take apart the evidence of my achievements, removing the postcards and bookmarks that show proof of my journey thus far, what am I left with?

Perspective

I look outside my newly cleaned window (sparkling windows, our realtors told us, are essential when showing a house) I still see green. The tiny leaves which turn yellow and rain down on the grass and clog our gutters are still holding fast to their property. They aren’t selling just yet. They’re going to hold out until the moment is right; until the weather has turned and there is no sense in clinging to the life they’d grown accustomed to.

We’ve both got a little more time until we must become something new.

 

Have you had a similar experience? Have you been faced with the decision to sell or move out of your home, and did it give you cause to reflect on your life? If so, I’d love hear from you. Please share your experience in the comments. And, I’d be very grateful if you shared the post with your friends on Facebook, Twitter, or your social network of choice!