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Flow

This is less a journal of my proclamations as it is a record of my process.

I am figuring it out as I go.

If you think you’ve already got it figured out, my writing may likely rub you the wrong way.

Over the past several days I’ve been in the midst of what my husband identified as a “post-modern dilemma.” Everything is up in the air, it seems. Nothing feels grounded, or imbued with clear and certain purpose. Relevance is fuzzy. I find myself looking at the sea of ideas before me and thinking, “But what’s the point? What of all this is actually meaningful?

My husband, who listens patiently as my heart-rate and pitch climb in tandem, suggested that I work a little to hash out my beliefs. My own beliefs.

Not the architecture of the system I’m operating in. Not the beliefs of most ADF Druids, or the beliefs of hard and soft polytheists, monists, superhero-devotees or chaos magicians.

Mine.

When I recently told a new acquaintance, who has been active in the Pagan community for a long time, that Pagans were a “people of practice, more so than a people of belief,” she said,

“Are you kidding me? Really? Pagans concerned with practice? That’s not been my experience.”

Perhaps we’re not what I think we are.

I don’t talk about belief much. I dodge the questions, sometimes. My mother asked me what I believed during a conversation about me being a Pagan, and I tried to give her a general overview of the things that Pagans believe.

It was a total cop-out.

I think most of us avoid talking about belief. When we do talk about it, we run the risk of being barked at, being told we’re wrong, being alienated, or being scolded. Beliefs, Ian Corrigan once told me, are just opinions. I’m not sure I agree with him. Beliefs feel more intimate than opinions. Beliefs nudge up against the places where we’re most vulnerable.

So what do I believe?

I’m going to give it a go at explaining it here. I’ll write without stopping for three minutes and see what happens.

Ready…

Go.

 ____________

I believe that we’re all connected. I believe that the human heart is king, and that the focus on the divine over the human is a mistake. I believe it’s backwards to establish a religion that’s based on the gods first, because we are human, and the act of being human is all we have to reference. We cannot be certain about much of anything, and to build a religious practice around the things that we are least certain about seems foolish, and fearful in a way.

I believe that it’s easier to be dogmatic than to be honest about the things you don’t know. I believe that there are people in every religious tradition who want to assert that they know what the gods want, and that a lot of hard polytheists are the ones doing that now. I believe that the hard polytheists who are railing against the soft and fluffy Pagans are sounding a lot like the monotheists that many of them detest so much.

I believe that I’m Pagan, but sometimes I think that I’m more of a lowercase “p” pagan; that my religious life is a construct, an artifice, a choice.

I believe that if we all were more aware that what we’re doing in our religious life is a choice, we might be a little less inclined to lash out at one another when we realize they’ve made a different choice than we have.

I believe that every idea we have about the divine is a choice. I believe that hard polytheism is a choice, as is soft polytheism and all the other -isms. I believe that it’s right to acknowledge that because your religious life is a choice, there is a possibility that your views are not completely accurate.

I believe that accuracy is not the most important component of a religious life.

I believe that authenticity is more important than accuracy.

I believe that if your tradition is not fostering something authentic in you, you should leave. Or stay, if you feel that staying and working to represent yourself is authentic.

I believe that the seed of wisdom is in all of us, and if there was anything that was like the God that I knew as a child, it is this. It may not be sentient, and it may not be the creator of the universe, but there is something in my heart that is like the thing in your heart, and if this thing could be awakened in us, we might recognize it in each other.

I believe that everything we do in our life should foster the awakening of that seed of fire in our hearts.

Everything.

 ____________

Ok. That was more like 7 minutes.

My first question, which seems a little funny to me, is:

What does that make me?

Somehow I’m conditioned to be something, and I’m not sure that’s the point.

I am expression.

I am caught up in the flow.

That’s what I am.

And, sustaining that — being the expression of this long list of things I believe — seems like the truest task ever set before me.

Photo by YAT OP

Photo by YAT OP

Sometimes I find myself out of balance.

Today, for example, I came into my room — the place where I light my incense, still my mind, perform acts of reverence and celebration — and I found myself uncertain about how to begin.

My mind was a repository for too many things. There was clutter everywhere.

Thoughts about music…

Thoughts about leadership…

Thoughts about love and relationship…

Thoughts about the responsibilities I’ve taken on…

These things clouded my mind, and made it very difficult to listen.

Listening, I’ve come to learn, has to happen first before any meaningful creation can occur. (This is why I prefer a silent space in which to write.)

I find that I don’t often know what to do when I’m in these moments of crowded-headedness. My first impulse is to try to organize the mess. (Not eliminate it, mind you, but organize it.) This rarely leads to resolution; instead, I feel little more than a mild sense of productiveness. I feel like:

Well, at least I’m doing something.

Other times I open up a browser window and find something to read. I scan Facebook, or I look at the comments on a post or a status update. I engage with others and allow the dozens of freeze-frame conversations to be my focus. I chat about someone else’s writing, someone else’s ideas, something mildly stimulating or (at times) completely engaging. Doing this feels like:

Well, at least I have something to say.

There are other ways I distract and occupy myself, but none of them seem to address what’s really going on.

And just what is really going on?

I think — and it’s a hunch more than anything — that in these foggy-brain moments I have forgotten, however briefly, what it is that brings me into alignment with my deepest, greatest sense of happiness and purpose.

(a.k.a. My True Will.)

I don’t know how to take that first step into the labyrinth because I have forgotten why taking that step is meaningful.

This morning I wrote the following update on Facebook; writing it was an attempt to kick-start my creativity after the first draft of this post petered into self-pity:

Each day we begin again. Each day we must make decisions about how to live, how to connect, how to release, how to create. Living is an art, even if at times it feels like little more than a struggle.

Being present with our own creative nature — the place where our humanity comes to look very much like something divine — helps us to be artful in our living.

How do you begin each day?

I wrote these words and realized that by reaching out to others, I care for myself. There is a connection between outreach and inreach (that should be a word), between service to others and service to myself, between the compassion I show for my community and the compassion I offer to myself.

These things are connected.

My mother used to tell me that when I felt sorry for myself I should do something for someone else. For the longest time I thought that her advice would have the negative side affect of fostering denial about what was really troubling me, but I think I was wrong. Turning my focus to the well being of others reminds me of what “well being” feels like. That act of turning outward has a profound and amazing affect on my own inner reality.

This isn’t to say that I shouldn’t sort some things out in my own head, away from the view of others. I certainly have my own work to do. But it’s a reminder that in moments of frustration or confusion, or when there is a lack of space in one’s mind, there is a great benefit in becoming a servant to others.

Turning outward in service is — I promise you — a service to yourself.

Each day we begin again. I begin with a mind and heart of service, and by showing love and compassion for others I receive the benefits of love and compassion in my own heart. I encourage creativity, and in the process I experience creativity. I remind others of the artful nature of living, and I am graced with a glimpse of the art in my own life.

This is how I began today.

How will you begin?

Open yourself to the movement of creativity in your life, and there is no telling what will happen.

I have a tradition of rearranging plastic, magnetic letters on the back of my local coffee shop’s espresso machine to make ridiculous phrases. While waiting for my chai (much lower in caffeine than the triple espresso I used to drink), I make my silliness all over the silver, Italian shininess.

A few examples of my literary genius:

(Many will testify to the truth about Dave)

(This one inspired many a sour expression from behind the bar)

And, this heartfelt confession:

(MD, that is.)

This tradition bring me great happiness. I cannot tell you how giddy I become as shuffle through the available letters. My imagination goes wild. It’s childlike, and rather amusing to my friends at Kaladi Coffee.

Yesterday, in a particularly inspired moment, I assembled a rather large phrase. Rarely have I brought elements of Paganism or Druidry onto the magnetic board, but I was inspired to make an exception.

Where it all began.

I couldn’t stop giggling. I giggled all the way home, like a This Little Piggy. This one made me so happy.

Once home, I opened up my computer to discover that it had made a lot of other people happy, too. There was a tremendous response on Facebook to the phrase. In less than a few minutes, over 35 people had liked the picture, and a few had even shared it.

This may be something, I thought.

So, I thew it out there:

Again, the response was tremendous.

Yes, yes, yes, I heard. I would buy that. I love that. That’s awesome.

The giggling, it appears, was contagious.

I’m not sure what happened next. The subsequent four hours were a bit of a blur.

I know that Photoshop was involved, and a furious hunting through fonts. I pulled a public domain graphic of an acorn (appropriate for Druids), and arranged a few different designs of the phrase. I set up a Cafe Press store (which was much easier than I imagined), played with some HTML, registered a domain name (TheDruidsAreComing.com), and set up a Facebook page and Twitter account (because branding makes sense to me).

Seriously, I was a little manic.

Then, without giving it much more though, I let my new creation loose into the world.

THE DRUIDS ARE COMING!!

Yes. I went to town.

I share this story not simply to hawk my wares. I think the story illustrates an important lesson we often forget.

Magick exists, it is real, and it isn’t necessarily the bi-product of complicated ritual. It’s much more immediate than you might think. You can create change, even a small one, with the directed, focused use of your own will. You can do it with a humorous flavor (i.e. farting unicorns), or in ways that draw attention to important matters, like planting trees. But it’s right there at your fingertips, waiting for your giggle to unleash it.

This TDAC venture isn’t me trying to save the world. It’s just an example of how a person can bring something into being which was not there before, and how the process can be so much fun.

To do my part, though, I’m donating 10% of my humble TDAC profits to ADF and 10% PlantABillion.org. Seems like the right thing to do, considering that one grows Druids and the other grows trees. I might end up giving away more. This could end up leading to something much bigger. Who knows?

At the very least, I hope that my TDAC experiment will raise some awareness about Druids, about the need for more trees, and about the amazing, abundant, ever-present creativity that exists in each of us.

So tell me —

Have you ever had a burst of creativity that led to an unexpected project? Have you discovered ways to support your religious and spiritual communities that seemed to come out of thin air?

Share them!

Then, plant a tree.

Make a plan, the gods say.

I dare you.

Photo by Fuschia Foot, on Flickr

Ok, ready? You’re me:

You put on your denim kilt, blue button up shirt, and patchwork hat. Your beard is tidy and trim, and your socks pulled up. You load up the car with your husband, a tupperware container of crayons, and a bag of chocolates.

Drive.

After a half hour, you’re at a little Unitarian Universalist church near the foothills.

You unload, begin to arrange chairs in a big, circular meeting room, and you wait. When you can’t wait any longer, you step outside. If you’re going to be nervous, you might as well do so in private.

While outside, you write down your plan (that one I dared you to make) another couple times to make sure you remember it. Your plan isn’t a script; it’s an outline. The plan involves no more than 5 steps, and now you’re beginning to wonder if you can make 5 steps stretch into an hour and a half.

That damn cricket won’t stop chirping.

Your husband comes out, gives you a pep-talk, and you realize you’ve got to go to the bathroom. Of course you do.

You make a dash for the john, then check your watch.

It’s time.

The workshop begins when you step in front of the group. It isn’t ceremonious. You’ve chosen not to be introduced. The first thing you do is invite the group of grownups to make abstract representations of themselves using crayons and glitter paint.

Right way they’re giggling, and drawing, and a couple look very serious about their coloring.

You’re coloring, too. You’re a big tree.

Stragglers come in. (Not according to plan.) You catch them up to speed and check your watch.

You tell everyone to write a word — one word — on their page which represents themselves.

Brows furrow, and people write.

More stragglers enter.

You collect the papers, and start to wonder if everyone thinks you’re crazy.

Once collected, you redistribute the artwork in a different order so that everyone has someone else’s drawing.

Then, introductions. You ask everyone to introduce themselves by describing the picture in front of them. You show them,

“I am a swirly, complicated movement of energy, that is both soft on the edges and pointy in some spots.”

You then tell everyone how creativity is a part of your life, and you invite everyone to do the same.

It’s about that time you realize how much you’re sweating.

It’s also around this time that you realize that people are saying some really interesting things. They’re bringing to the space ideas and concerns that you didn’t anticipate. They’re lighting up the room in ways that had nothing to do with your plan.

It gets back to you, and you freeze for a second.

Plan…plan…what was that damn plan…

You stumble through a story about a Druid festival, and then you invite people to sing.

Then something changes.

You think to yourself,

Singing. Music. That’s right. That’s what I do. That’s what this is about.

Then, you chuck the plan. You start to talk from your heart. When you do, you remember that the whole point of the night was to connect people to that creative fire — that fire in their heart. This seems possible now, because you’ve connected with yours.

Time has flown. People have shared their limitations, their creative outlets, and their doubts. They’ve laughed, and they’ve even given a collective “Hmm” once or twice.

With your heart open, and the fire lit, you lead people to the creation of a song.

The one man with a drum begins to play. You start to sing, and people join you. It’s call and response.

“We are…”

“We are…”

“We are…”

“We are…”

“Eclectic…”

“Eclectic…” 

“Steady…”

“Steady…”

You work your way through all of the words, changing the melody up with each one. People are singing. The drum is playing. You’ve created a song out of people’s words, and they’re singing it back to you.

You realize that this has all been a kind of ritual, one which began with child-like chaos and ended with a group song. You created something from nothing, and got everyone to sing.

It worked.

Today I’ll submit the workshop to Pantheacon. I’ll call it: The Songcrafting Workshop: Creating Ritual Song.

It will likely be quite different at the conference. There will be different activities, different people, and of course…

…a new plan.

I think “eschatology” is a funny word. Speaking it out loud makes potty-jokes come to mind. Say it, and I remember being 5.

The definition of eschatology, “the part of theology concerned with death, judgment, and the final destiny of the soul and of humankind,” is much less funny. It, one might say, is a party pooper.

(Too easy.)

Seriously though, when thinking about the End of the World it doesn’t hurt to throw in a dose of humor. Severity has its place, but I don’t think it belongs in every place.

If you’ve been a regular reader of this blog, you know that I’m not afraid of making things heavy. I’ve been upfront and honest about my own spiritual journey, asking questions about relevance and confessing doubts about community. This has been a space where I’ve encouraged dialogue, and practiced, as best I could, a kind of even-mindedness. It’s a practice, and it isn’t always easy.

Author, Michael York, writes in his guest post on The Wild Hunt that we are on “the brink of catastrophe.” He’s not altogether wrong. Pay attention to the science (or follow Archdruid Greer’s well-written blog) and you will agree that if there was ever a time where action was necessary, it is now. And for those of us who see our G/gods as being intrinsically connected to the land, you’d think we would be at the forefront of the movement for ecological awareness or preservation.

York’s post stirred up a great number of responses, many of which were quick to point out that the post sounded like “fear mongering.” They, too, are not altogether wrong. But fear is not completely out-of-place in this discussion, either. Drought is scary. So is the thought of a lack of nutrient-rich topsoil (a real, and growing problem). The ecological crisis, when it comes down to it, is no laughing matter.

But fear does little to inspire.

Frame the crisis as evidence of the End Days or the End of the World, or chose to look at one man’s decision to step out of leadership as evidence of the Beginning of the End of the Pagan Community, and you miss out on an opportunity to encourage dialogue, or contemplative introspection. From where I stand, it would be better to draw the focus back to our own motivations, our own choices, and encourage us to ask ourselves how we think we arrived at this point.

York says that,

We are disappointingly unimaginative as a communal voice despite some exemplary individuals among us.

I say, that kind of language doesn’t help. If anything, this is an example of a missed opportunity to be imaginative.

Leadership need not be relegated to the few, or to the charismatic, or to the “exemplary individuals.” Leaders need to be self-aware, self-empowered, and considerate to the needs of their people, their land, and the planet. If this is true, then the task at hand is not to chastise one another for our ignorance or lack of imagination, or to point out how we have failed; but rather to help cultivate our own self-awareness, to find new ways to inspire and empower each other, and to spend time in contemplation so that we might better understand which of these “needs” require our attention first.

So, ignore the title of this post. The End is Not Near, nor is it really an end. We are in a process.

The questions to ask yourself are, “How can I become more engaged in this process? How can I exercise my will to affect what is happening around me? How are my individual choices connected to the health of the various ecosystems which I inhabit? Begin with the questions. Sit with them, and then observe what comes up.

Should it start to get too heavy, say the word “eschatology” out loud, and giggle like a preschooler.

This morning I woke, picked up the pen and paper on the hotel nightstand, and wrote down these words:

What is it to write from sleeping?

To write without ceasing. To hold back the need to edit, the impulse to correct. The penmanship is awful, but that does not matter. The only impulse is to write. The chance to create from a place of great stillness; the greatest stillness next to eternal sleep.

Write because there is a fire of great color burning in your heart. The heat is your cousin, your lover, your friend. The heat is a birthright, but the heat is disloyal. It vanishes if ignored. It will return, but you must coax it with kindness, and ritual, and sex. You must invite the fire back by making love to the essence of pleasure, pain, fear, and ecstasy.

Call back the fire like a lost child. Scream into the subdivision for your baby. She will come running to you. She will blaze through your manicured lawn and be a beacon of transformation.

Set fire to your heart!

I like the intangible. I try to hold onto it. I like the formless, and I too often try to pin it down. I ask a lot of questions. I always have. I asked about our concept of compassion, and it led to a follow-up piece by fellow Patheos writer, Steven T Abell. I asked questions about the point of our religions, and it led to some of the most amazing comments yet on Bishop in the Grove. These questions I ask of religion and spirituality are useful. Or they can be, at least. The first thought I put to paper this morning was a question: What is it to write from sleeping? I ask questions in order that I might begin to approach an answer. I don’t know the answers, but I can move toward them. This is how my mind works.

I admit that I have experienced the feeling of being sidetracked by my own inquiry. Questions can also be a tool for distraction. They can take the focus away from the doing of my something. In point of fact, after sitting down at my computer today and writing whatever flowed out of my mind for a solid five minutes, I began to deconstruct all of it and try to make it make sense. No longer was I writing; I was thinking about writing. There’s a tremendous difference between those two things…. just ask a Creative Writing major.

I see a parallel here with my practice of religion. I often take myself out of the routine of my spiritual work, whatever that may look like at the time, and start to think about it. Reflection is useful, yes, but dissection can be quite violent. I may pick apart what I’m doing to the point where I’m no longer sure of what’s in front of me. My spirituality looks like a series of disparate paragraphs on the screen, with no cohesion, no order, and certainly no “flow.”

But then there are moments when I exhale, release this obsessive need for understanding, and experience the memory of a time when I did not care much about religion, its purpose, or its relevance. I did not seek out the divisions between us so that I might examine them, or deconstruct them. In that memory-me, I was an imaginative person; a man who was a child who was playful, and who sang melodies that had never been written. I remember the feeling — the location — of that inspiration, and then, all of a sudden, I step into a creative space. My mind is freed up from the inquiry, and something begins to flow through me again.

I like to think of inspiration occurring in a particular “place,” physically and bodily. I try to locate it, or to remember where I’d felt it last, if I feel uninspired. I try to remember where it was inside of me that an idea first showed itself. Was it behind my eyes? In my stomach? Or, did I hold it in my hand? Certainly, our inspirations can come from the physical world. Nature is a generous patron, and we are provided with all that we need to be inspired if we open our eyes wide enough. But, I’m talking about something else. I’m talking about charting a map of your insides, and looking for treasure. I’m talking about inspiration that originates somewhere inside of you, and that even feels like it may have originated from somewhere else altogether.

Have you felt that kind of inspiration?

I ask you – where is the source of your inspiration? Where do you find it? Have you every closed your eyes and been flooded by the imagines of the divine, the sacred, the profane, or the magical? Have you seen, in the stillness of your own being, a clear vision, and then brought that vision into the world?

If you are inclined to answer that you are “not a creative person,” I say hogwash. You are. We all are. We create in every moment of our lives. Put any dismissive thought aside for a moment, cock your head, and listen to the question again, sideways.

Where is the source of your inspiration?

 

Today, pious Pagans around the globe are posting poetry online in honor of the Goddess, Brighid (otherwise known as Brigid, Brigit, or simply, “exalted one”).

I join them here on Bishop In The Grove.

Imbolc, as I wrote about yesterday, may have milky origins, but the day and the season speak to something much deeper than a single agricultural marker can convey. On Imbolc, we recognize the primal fire within us, and when we speak from that place with a clear, honest voice, beautiful transformation can occur.

Poetry is born. It is our gift from the Goddess, and it, in turn, is our gift to the Goddess. Poetry creates change. It is alchemical. It is magick, in the traditional sense. But, it is also available to each of us, regardless of our training, our initiations, or identifiers. We need not be professional poets to be poets. We can be poets simply by speaking truly of what we know, of what we feel, and of what passions move us to act, or be still.

We are poets because we each have words on our tongues, in our hearts, and on our flesh. When we release these words into our bloodstream, through our sweat, into the air and onto the page, we participate in the re-enchantment of the world.

So, I share this poem with you. It came to me in the darkness of the night, and I pray that it be a light in honor of the Goddess, Brighid. It is my offering.

Vigil

I keep vigil
to the fire
in my heart.

I keep vigil
down the sidewalk,
through the door,
between the empty lines
of chit-chat talk on
threaded screens,
in middle days
of winter nights,
where no one sees
except the Bride
for whom the flame is lit.

I keep vigil
to the fire
in my heart.

 

Please share with me in keeping vigil. Copy the three lines:

I keep vigil
to the fire
in my heart.

Post them into the comment box below, and then paint a portrait of how you keep vigil to the fire. Where does it find you, and in what situations do you seek it? Let the words rise into your consciousness like incense on the altar, and then let the poem tell the story. Once you feel like you’ve described your experience of this personal, internal vigil to the Sacred Fire, copy those three lines again, closing out the poem.

Share with us your inspiration here on Bishop In The Grove as an offering to Brighid, and then share this post with anyone who might be touched by this intentional movement of inspiration.

We keep the fire lit, and we share the fire. The fire is out birthright, our inheritance, and the fire will prepare us for our collective rebirth.

Many thanks to T. Thorn Coyle and the creators of the 7th Annual Brigid Poetry Festival for the inspiration to write this poem and encourage the creation of devotional poetry. Please visit the Festival’s Facebook page and share with them your inspired creation!

Blessings be to you.